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Peter Terezakis uses a Cambo 4 x 5 camera (90mm f/5.6 Super-Angulon XL Lens)
to document his twilight light installations. Images are created using time-exposure
of up to twenty minutes, so there is only one opportunity to create a successful
image in an evening.
Fine dust and blinding glare are often a part of the desert experience.
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Solo
Exhibitions and Performances:
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2008
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FOS EK PHOTON, National Museum of
Contemporary Art, Riga Latvia
SACRED SKY SACRED EARTH, Benefit for the Coronado Schol of the Arts, CA
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2007
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BENEATH THE
VAULT OF HEAVEN, MicroCoSM Gallery, NY NY
SACRED SKY SACRED EARTH, Coronado Island, CA |
2006
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HEART BEATS
LIGHT Jurmala
and Cecis, Latvia
SACRED SKY, SACRED EARTH, Back Country Land Trust Benefit, Alpine, CA.
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| 2005 |
HEART BEATS
LIGHT San Diego Museum of Art,
San Diego CA |
| 2004 |
HEART BEATS
LIGHT Curtea Vechea, Bucharesti, Romania |
| 1992 |
CHILDHOOD’S
END, University
of Connecticut, New Britain, Connecticut |
| 1991 |
HOME, Museo de Cozumel, Cozumel,
Mexico |
| 1989 |
NEW KINETIC WORK, The Gold Bar, NYC |
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Selected Group Exhibitions and Performances: |
| 2009 |
ARCHAIOS, Reuben H. Fleet Science Center, San Diego, CA |
| 2000 |
Paragraphs
on WInd Danspace,
NY, NY |
1999
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Forces, Bucknell University,
Lewisberg, Pennsylvania
Journeys, Williams Center for the
Arts, Lafayette College, PA
Gravity
Rising, SoHo
Arts South, West Palm Beach, Florida
Voices, Galerie Titanium, Athens,
Greece
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1998
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Partial
Eclipse, Nexus Gallery, Philadelphia
Art and Technology, Bellevue Art Museum, Washington
Digital
Salon, Circulo de Bellas Artes, Madrid, Spain |
1997
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Forces: Art for the End of the 20th Century, Contemporary Art Center of Virginia, Virginia Beach, VA
Fifth
Annual Digital Salon, Visual Arts Museum, NYC
The
Future of Art, Franklin
Institute, Philadelphia
No How On (Group 12 and actors , Video (Interactive) Bucknell University
Art and Technology, Center Gallery, Bucknell University, Lewisburg, Pennsylvania
Heat, View
Gallery, NYC |
1996
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Fourth
Annual Digital Salon, Visual Arts Museum, NYC
Omoi-ire, Tempozan
Gendaikan, Osaka, Japan
Neo-Kinetics:
Postmodern Techne, Lubleliski,
NYC
Sensory
Overload, Ben Shahn Center for the Arts, William Patterson College, NJ
100
Years of Art and Technology, Westbeth Gallery and Bell Labs, NYC
Ciberfestival
96; Imagens do Futuro, Lisbon, Portugal
Light and Sound, Susquehanna Art Museum, Harrisburg, Pennsylvania
Jetlag, Salao
Nobre, Universidade Classica de Lisboa, Lisbon, Portugal
HERE, Performance and Art Space, NY NY |
1995
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Forces, Humphrey Gallery, NYC
Forces, Tower City Cleveland, Ohio
Art for the End of the Century: Art & Technology, The Reading Museum, PA
Digital
Salon, with
Wendy Grossman, SVA Museum, NYC |
| 1994 |
Altered
Egos, Humphrey Gallery, NYC |
1993
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Springworks
1993, New
York Hall of Science, NYC
Outside
My Window, Anchorage Museum of Art and Science, Alaska
Images
Du Futur, La Cite Des Arts Et Des Nouvelles Technologies De Montreal, Canada
Lumen
Essence Windows on Main, Brooklyn, NY |
| 1992 |
The
Pull of Kinetics, Access Gallery, Staten Island, NY |
1990
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New
Works, Susan Schreiber Fine Art, NYC
Small
Works, Archetype Gallery, NYC
Wall
Works, Dan
Broder Gallery, NYC |
| 1989 |
Summer
Selections, Susan Schreiber Fine Art, NYC |
1988
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Real
Democracy, White Columns, NYC
Works
in Metal, Archetype Gallery, NYC |
| 1995 |
Artist Grants: Hewlett Packard, National Semiconductor, and Allen-Bradley
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| 1994 |
Artist Grants: Motorola, Texas Instruments, Piher, DuPont
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1993
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Created the category of, "Extended Forms," at SVA MFA Computer Art Department, NYC under the direction of Timothy Binkley, Ph,D. and Department Chair.
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| 1993 |
Artist Grants: LTV Steel, Thepitt Manufacturing, Entran, and Polaroid
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| 1992 - 95 |
Art & Science Collaborations (ASCI) Founding Artist and Member Board of Directors
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| 1992 - 90 |
Artist Grant Artist Space, NYC |
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Terezakis Constructing
Prometheus, NYC 1987
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Terezakis, Seawright,
Ossi, Watkins, Montreal
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Terezakis, Demartino,
Pepper, Grey
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Terezakis
Interactive Sculpture
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Terezakis, Hoberman
SVA, NYC 1996
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Bibliography: |
| 2009 |
Light From Light, Terezakis, Journal of Syntonic Optometry, March |
| 2008 |
Sacred Sky Sacred Earth, Eli Morgan, CoSM Journal V, March |
2007
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Visitors celebrate land and light at Sacred Earth artist event, Lori Bledsoe, Alpine Sun
Art of the Digital Age, Bruce Wands, Thames and Hudson, Publishers |
2006
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Border Crossings Large and Small, Roslyn Sulcas, New York Times June 6
Four SummerFest performances transcend time and space, James Chute San Diego Union Tribune |
2001
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Transmigratory moves : dance in global circulation : proceedings, 34th international conference, Congress on Research in Dance, Janice D LaPointe-Crump, Congress on Research in Dance, Brockport, New York |
| 2000 |
Of New Mexico as a Dreamland, Jennifer Dunning, New York Times, March 2 |
| 1997 |
Sacred Sky, Sacred Earth, Alpine Sun News, Alpine California |
1996
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Artist Statement, Terezakis, Leonardo, Fall
"Digital Salon," Antoinette LaFarge, Leonardo
" New York City’s 4th Digital Salon Review," National Edition, VH1-TV
Sensory Overdrive," Alice Hutchison, Ben Shahn Galleries
"Rubaiyat" Leonardo Journal Almanac, Flash Light |
1995
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Flash of Recognition The Soulful Technology of Peter Terezakis, by Alex Grey
"Technology as a means to an End," Marilyn Fox, Reading Eagle
" Art for the End of the Century," Edward J. Sozanski, Philadelphia Inquirer
"The Neo-Kinetic Closet ," Flash Light, ASCI Currents
"Art for the End of the Century," Glenn Curry, Art Matters |
| 1994 |
"Eyewitness News," WNBC-TV. " NY1-TV News,"(Time-Warner) WCBS-TV
|
1993
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"Spring Works," Jenifer P. Borum, New York Hall of Science
"Finding Magic," NY Newsday, "The Art of Science," Queens Tribune
"Lumen Essence Show Raided", Flash Light. Artist Review |
| 1992 |
"Artworks In Motion," Michael Fressola, Staten Island Advance |
| 1988 |
" Rock Stars," Luana Collins, Scene Magazine
|
| 1983 |
" Electronic Jewelry," Catalog, Chad Lynde Curator, Art Gallery, Calif. St.College San Bernardino |
| 1982 |
"Out of This World," Sheryl Connely, September 26, Daily News |
| 1980 |
"Out in New York, D.C., and Chicago," Bob Colacello, Interview Magazine |
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Teaching, Public Appearances, Publications, and Lecture: |
| 2004
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History of Art and Technology of the Twentieth Century, University of California, San Diego |
| 2002 |
The Digital Experience, Artist Talk on Art Panel organized by Molly Barnes and Sara Kay. Panelists: Victor Acevedo, Erwin Redl, James Seawright, and Peter Terezakis |
1997
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"Computer Assisted Design in Sculpture," SCAN, Franklin Institute
"Wax and Plastic Printing of 3-D Models," Industrial Designers Association of NY
"Three Dimensional Computer Assisted Model Making," N Y Jewelry Association |
| 1995 |
"Kinetic Art of the late 20th Century," Reading Public Museum |
1993-2000
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School of Visual Arts, MFA & BFA Programs; Instructor,
"History of Art and Technology of the Twentieth Century"
"Electrical Engineering for Artists," " Digital Sculpture,"
"Advanced Computer Systems." |
1992
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Cooper Union Lecture, "The Future of Art."
Artist Talk On Art Presentation, " Unusual Media in Contemporary Art."
Leonardo Electronic Almanac, "JC Meets the Red Queen."
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| Education: |
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San Diego State University
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Columbia University School of Electrical Engineering |
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Manhattan Community College |
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City College City University of New York
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State University of New York College at Oswego |
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Awards and Honors: |
2003
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Billy Kluver Day Curator and Moderator Honoring the Father of Collaboration between Artists, and
Engineers. Presentation of Award, World Premiere of the film Art and Technology, written by Billy Kluver, for E.A.T. archives, directed by Julie Martin at San Diego State University, Dpt. of Music
West Meets East Curator and Moderator, Film and Computer Animation Festival (Featuring New York Digital Salon), San Diego State University
The Machine Shop Show, Co-curator, Collaborative Exhibition and Performance event,
San Diego State University
The Story of E.A.T. Curator, Photo Exhibition featuring seminal collaborations of Rauschenberg, Johns, Cage, Cunningham, Tinguely, Warhol and others with Billy Kluver and other scientists and engineers from Bell Labs. Love Library, San Diego State University |
| 1999 |
Artist Grant: Center for Unlimited Vision, NYC
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| 1998 |
Artist Grants: Reading Body Works, Thypin Steel, Hewlett Packard
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1997
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Artist Grants: IBM, Lantel Communications, Interport, and The Tape House
Kisses Sweeter Than Wine - Experiments in Art and Technology.From the Nine Evenings. In conjunction with Billy Kluver, Julie Martin, Robert Rauschenberg, and Barbro Lundestam
Additional photography and laser effects.
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| 1996 |
Artist Grants: IBM, Holo-Krome, Thepitt, Nemesis Productions, and Mad Matter
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| 1995 |
Artist Grants: Hewlett Packard, National Semiconductor, and Allen-Bradley
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| 1994 |
Artist Grants: Motorola, Texas Instruments, Piher, DuPont
|
1993
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Created the category of, "Extended Forms," at SVA MFA Computer Art Department, NYC under the direction of Timothy Binkley, Ph,D. and Department Chair.
|
| 1993 |
Artist Grants: LTV Steel, Thepitt Manufacturing, Entran, and Polaroid
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| 1992 - 95 |
Art & Science Collaborations (ASCI) Founding Artist and Member Board of Directors
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| 1992-90 |
Artist Grant Artist Space, NYC |
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